Season two, Mob Land, is about a high-rolling lawyer who joins forces with the feds to try to bring down one of the most powerful criminal syndicates in the country. Seven years later, their stories collided when a small town detective got a tip and became convinced that if he could solve one mystery, he'd solve the other. Season three, Never Seen Again, tells the story of two women, living on opposite sides of the country, who went missing in the summer of 1999. Pulitzer Prize-winning journalist Jake Halpern reveals webs of deception and dark underworlds, through interviews with federal agents and convicted criminals. Sitting in there among all the symphonic and chamber music were indeed both of her violin concertos.Deep Cover is a show about people who lead double lives. “A few years ago, this treasure trove of her manuscripts was discovered in an old trunk in an abandoned farmhouse. They would never be heard,” she said about her search for music. I was told that she had written two violin concertos, but they were considered to be lost to the world forever. “Back in ‘97, when I was looking for repertoire among the various 20th-century pieces, I encountered a single page from a Florence Price manuscript.
“I'm glad I got to perform it and record it, but it certainly no longer belongs on my album of violin concertos by Black composers. He was just a random white Frenchman, but he still composed an absolutely charming violin concerto,” Pine said. “Years later they discovered that de Meude-Monpas had actually served in a regiment of the French army that all rode black horses.
There's no existing visual image of him, but all the musicologists for decades assumed that he must be of African descent because he was always called Chevalier. “But there is another composer from the same time, Chevalier de Meude-Monpas. “We've all heard of Joseph Bologne, Chevalier de Saint-Georges, the wonderful Afro-French composer who was the greatest swordsman in Europe and an inspiration to Mozart,” she said. Pine is reissuing and refreshing this recording 25 years later as Violin Concertos by Black Composers Through the Centuries. “You could say that the album that I've just rereleased is really the album that I would have made in 1997 had I only been able to back then,” violinist Rachel Barton Pine said about releasing a pioneering recording celebrating Black composers of the 18th and 19th centuries. New Classical Tracks - Rachel Barton Pine by
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